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Photograph by Wesley Law
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Photograph by Wesley Law
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Photograph by Wesley Law
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Photograph by Wesley Law
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Photograph by Wesley Law
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Photograph by Wesley Law
Until recently, when Jessie Miller decided to coat the walls of her city condo with the Sherwin-Williams paint color Priscilla, she was known for fashioning bold interiors based on her use of black, white, and a touch of gold.
“I don’t typically work with color,” she says. “That’s why my clients are drawn to me.”
But of late, Miller says, she’s been nudging those same clients to experiment, and she has found herself growing restless with an all-neutral palette. She says it’s important to demonstrate that it’s OK—even a wise choice—to step outside one’s comfort zone.
She began her journey by choosing a carnation-inspired pink because it’s so different from what she’s used to. “Using an outlandish color is like taking a risk,” she says. “But why not experiment with color? Paint is one of the least expensive decisions you make.”
On a fall evening, Miller invited a group of friends to take a look at the transformation. Just before sitting down to dinner—a main course of black spaghetti from Katie’s Pizza & Pasta—Miller stood to speak. She toasted one of her closest collaborators, artist Ted Collier (husband of the aforementioned Katie and co-owner of the restaurant), whose signature circle-motif painting lends a graphic contrast to the soft feel of the room’s pink walls.
“Four years ago, we were both very up and coming,” began Miller, lifting a glass of rosé. “I needed to borrow art for the show I was doing on HGTV, and I reached out to Ted.”
As the light from the chandelier danced across the walls, the guests raised their glasses in unison.
