Robert Pattinson isn’t the only captivating thing about the film, but he’s essential to its nervous electric power.

It’s foremost a delivery system for dusty “Steinbeck Gothic” atmospherics and predictable yet devilishly fun jump scares. On that score, it’s a virtually nonstop pleasure.

Matthew Heineman’s new feature captures the story of the citizen-journalists who struggle to expose the crimes of ISIS in Raqqa.

In an American cinematic landscape that has become distressingly homogenized, A Ghost Story is a singularly unruly and intriguing work.

What makes the film smarter and sadder than the typical romantic comedy is its refusal to indulge in the genre’s more ersatz clichés.

It’s one part heist film, one part perfect mix tape.

Rather than being a dismal meditation on mortality, “Obit” is a swooning, down-to-earth tribute to the work of journalism and the art of writing.

While thoroughly mediocre as Pixar films go, it’s unquestionably the best chapter in the trilogy.

The new indie dramedy opens June 9 at the Tivoli; Archibald, along with her brother Doug, will be on hand after the screening for a Q&A.

The film’s scenario involves two families, one house, and a deadly disease, all in the service of a bleak tale of terror.