Daniel Stumeier
In "Everything is Still Happening," Lisa Bulawsky reimagines discarded pieces from her previous works
A review of the exhibit at Bruno David Gallery, which runs through next Friday, July 27 Read more
"Plaid Progress" weaves together ideas about place, identity, cultural objects, and overlooked histories
Although the artists featured are all from St. Louis or other Midwestern cities, the conversations that their works advance are anything but provincial. Read more
A Trick of the Eye: "Frank Trankina: Superheroes and Night Stories" at The Sheldon Art Galleries
Many of the works depict vintage toys and figurines that are humanized by Trankina’s idiosyncratic juxtapositions, resulting in playful—often darkly humorous—narratives. Read more
Mapping the Intermediary: Tom Reed's "the in-between" at Museum Blue
Reed’s solo exhibit combines sculptural components, mixed media drawings, and sound—transforming the gallery into a make-believe flooded valley. Read more
Through a Glass Lightly: Jacob Kassay at parapet/REAL HUMANS
In his eponymous exhibition, Jacob Kassay presents found object assemblages made from library books and prismatic glass wedges. Read more
Catch it Before it Closes: "If Not Now, When?" at Duet
Duet Gallery’s current exhibit features four artists who contest the anxiety of art-making through material investigations and acts of play. Read more
Material World: "Earth Jerks" at White Flag Projects
The current exhibition at White Flag Projects features three contemporary artists in conversation with the history of Minimalism and Land Art. Read more
Who the Hell Do We Think We Are? The Luminary's New Exhibits Examine History, Society, and Personal Identity
The group show “A New Use of the Self” and Jessica Harvey’s “Future Great City of the World” reconsider roles of identity and society, and how they influence each other. Read more
Nomad Studio: Green Varnish, installation view, Contemporary Art Museum St. Louis, May 23–September 13, 2015. Photograph by Alex Elmestad
Nature and Nurture: "Green Varnish" at the Contemporary Art Museum–St. Louis
Green Varnish is comprised of two components—a constructed, wooden armature and a vegetated blanket of sedum that covers it, combining and contrasting architectural design and sculpture with nature. Read more
Behind and Beyond: Paula Wilson's "Back it Up" at Museum Blue
Wilson draws inspiration from a variety of traditions and processes and imparts them with humor, energy, and sensuality. Read more

Henry Samuelson, "Rare Blue Hole Double Array Pre Onset," enamel and acrylic on canvas. Courtesy of Hoffman-LaChance Contemporary
Second Sight: "Microscopes and Binoculars," at Hoffman LaChance Contemporary
Fourteen painters re-examine traditions of painting through different modes of abstraction. Read more