Carlos Salazar-Lermont: Esperando A Dios (EAD) v.01

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Bruno David Gallery

Esperando A Dios (EAD) v.01

Esperando A Dios (EAD) v.01 (2022-23) is a sardonic view on the marginalization that immigrants experience in the United States. The piece was filmed when the Venezuelan artist was expecting his delayed Employment Authorization Document. At the time, the American economy was rebounding from the COVID-19 crisis. This effervescence was reflected in a sudden and unexpected surge of jobs in the United States. Unable to work legally, the artist filmed himself standing in front of multiple fast-food businesses’ “now hiring” signs in St. Louis, MO, doing all that he could do about it: nothing. The images in the video move to the rhythm and melody of an electronic version of El Norte es una Quimera, a traditional merengue caraqueño song from the 1920’s that speaks about the hardships of immigrating to the US. The cover of this centennial song was conceived and produced specifically for this project by Carlos Salazar-Lermont and interpreted by renowned musician Andrea Ludovic. Originally thought as a 3-channel video installation, the version displayed in Carlos Salazar-Lermont’s solo show at Bruno David Gallery is a single-channel adaptation to be displayed on a TV screen.

Carlos Salazar-Lermont lives and works in St. Louis and Chicago. He received a M.F.A. in Video Art at the School of the Art Institute of Chicago and a B.F.A. from Sam Fox School of Arts, Washington University in St. Louis.

Bruno David Gallery

St. Louis

7513 Forsyth Boulevard