Some opening acts have you counting the minutes until the band headlining the tour struts (or in Brendon Urie fashion, catapults) onto the stage. This was not the case for Urie and Panic! at the Disco's Pray for the Wicked Tour at the Enterprise Center on Tuesday night. Australian singer Betty Who, who sings the theme song for the second season of Queer Eye, started the show with a quick hello before she and two dancers bounced into choreographed steps as she sang upbeat bops like "Rocket Girl" and "Mama Say."
She told the crowd to sing along even if they didn't know the words, laughing, "I'll look at you pretending that you know them, and I'll keep your secret." Even with a few technical difficulties, Who stuck her tongue out and giggled at a missed lyric. Mentally noting her name for a Spotify search on the drive home, you couldn't help but feel as though she personally invited you to a girls' night at her place.
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Contrasting Who's spunky pop was Two Feet. The lights dimmed and neon spotlights cast over the musician's face as his low voice murmured into the mic and he strummed his guitar, everything layered with beats from the DJ behind him. Two Feet sounded like what you'd imagine Hozier's voice would if mixed with heavy beats.
You've probably heard Two Feet's "Go F*ck Yourself," but if you're unfamiliar with the artist, he wouldn't necessarily want last night's show to represent his work. The singer cut his set short, saying that he wasn't feeling the greatest, and later apologized on Twitter:
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As a 10-minute countdown appeared on the large screen, the "da-da-da-da" of Snoop Dog and Dr. Dre's "The Next Episode" began over the speakers...only to be drowned out by squeals. And just when watching the countdown felt agonizing, Urie and crew literally popped up from the floor as Urie launched into singing "(F*ck A) Silver Lining."
From there, Urie boasted chops and footwork reminiscent of his Broadway days. He paraded around the stage, interchanging low notes and ridiculously high falsettos. His vocal range matched the depth of the band's discography, as Urie punched piano keys for the upbeat 2000s hit "Nine in the Afternoon" and shuffled his feet to "Hey Look Ma, I Made It." Urie was flamboyant with dance moves and mic flips, on one side of the stage before prancing to the next. He manipulated his voice's tone on the same word, dragging it out for a moment, then crashing forward onto his foot as if he was at the helm of a mosh pit—a hallmark of the alternative rock genre Panic! at the Disco continually thrusts back into the mainstream.
The concert ended with three encores, including the band's first hit "I Write Sins Not Tragedies," which has been surpassed as their highest-rated single by 2018's "High Hopes."
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For a list of upcoming shows at Enterprise Center, visit the venue's website.
