Review: "Tabloid"

Errol Morris returns to form in his most recent full-length feature, Tabloid. His past three films have tackled serious, hard, newsworthy subjects—grappling with the legacy of war from the Nazis, through Viet Nam, to Abu Ghraib. Joyce McKinney, the subject of his latest release, is indeed newsworthy, though less likely to appear in the pages of the New York Times than in those of the National Enquirer or its British counterparts, Evening News and Daily Mirror.

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