Web Gallery: Additional Images of the David Deatherage Apartment

Pietransanta, a Ciao Fonseca painting from William Shearburn Gallery, hangs above a vintage French bench covered in piped aubergine suede. The ram’s-head lamp is an hommage to designer Diego Giacometti, sculptor Alberto Giacometti’s younger brother.

At right, the built-in bookcase that was the client’s first requirement, and a metal fire screen custom-made by B. Derton Studios.

Andrew Millner’s Black Roses, Blue Roses, a layered lightjet print mounted to plexi, hangs above a vintage scroll-shaped bench by Bert England for Baker. Deatherage had it reupholstered in Jim Thompson’s Circus pattern. The silk rug is from The Rug Company.

Poison Ivy, a pen-and-ink work by Robert Lobe, dangles a little dangerous beauty above the serene Buddha, the luminous Billy Haines capiz cocktail table, and the luxuriant pastel chairs. The 1940s slipper chair was reupholstered in Manuel Canovas peach satin; the lavender 1960s Hollywood Regency slipper chair has a Trapunto dagger in its back.

A Robert Motherwell hangs above a 1940s gilt plaster shell console, and a tortoise’s shell forms the base of a small vintage lamp. At right, the back of a bronze dining chair by Mastercraft, upholstered in Fireworks by Tony Duquette for Jim Thompson.

A salon wall in the bedroom. Clockwise from top left, works by Tim Liddy, Katy Grannan, Aristide Maillol, Elliott Puckette, Pablo Picasso (a photographic self-portrait), and Aristide Maillol. The owner’s mother picked up the 19th-century Maillol lithographs years ago in Paris.

A vintage lamp stands guard on the Billy Haines shell bedside table: a turquoise rendition of the Chinese fu dog (actually, a lion).