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St. Louis Magazine - September, 2006
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In This Issue

Features

Behind the Curtain Dispatch From White-Bread Country The Riot Act The Legend That Refuses to Die Things We Love Home Sweet Catalog Home Make a Day of It The Liminal Heart Time In A Bottle

Departments

Things We Love

Departments

A Conversation with Henry Townsend, 96, & Marquise Knox, 15 Amy Bommarito Cinema Paradiso Earning His Rep First Look - Five Flashback - 1914 Following Bliss Follow the Music Friends with Monkeys Grab a Bite - Schottzie's Hell on Wheels Human Geography In Store - Performance Art Nightlife - Mercury Normandy Perspective - Do We Care? Do We Dare? Playing It Forward Rendering Beauty Review - Sofia Bistro Rust-Free - Sheet Metal Music Show Offs St. Louis Political Theatre Festival The Buildout - The Tuxedo Room The Jazz Singer The Sick Fix Tiny Room, Big Show Travel Lit - Means to An End Truth Decay Uncommon Knowledge - Max Starkloff Vanishing Act
2008.03.28 - Discerning Palette: Jerry O. Wilkerson Retrospective
The Saint Louis University Museum of Art is pleased to present: Discerning...
2008.05.09 - John Armleder and Olivier Mosset
Inaugural Main Gallery show by new curators Anthony Huberman and Laura Fried...
2008.07.01 - Awesome Amphibians
Frogs, toads, snakes, lizards, newts, salamanders and caecilians, oh my!...
2008.07.01 - Bare Witness: Photographs by Gordon Parks Exhibit
As Life's first African-American photographer, Gordon Parks' work documented...
2008.07.01 - Bob Hartzell
Columbia artist exhibits at Kitchen K as part of Art Saint Louis' Off-Site...

Tiny Room, Big Show

The word “cabaret,” at least by its original French etymology, just means “small room,” but it’s come to refer to the song-belting, tap dancing, joke-telling and acting that takes place in such a room. Of course, the one element that makes cabaret cabaret (as opposed to stand-up comedy or syncopating in tap shoes) is the music. This fall, Savor’s Flim Flam theater, which recalls Brecht and the decadent cabarets of Berlin before World War II, hosts a series of performances that, during St. Louis’ chilly but cheerful autumn days, will feel just right.

Craig Rubano (October 4–7). It’s nice to know that Yale’s Whiffenpoofs troupe still exists—and that native St. Louisans like Craig Rubano still make its venerable ranks. Rubano also performed on Broadway as Darius in Les Misérables. He’ll be performing his new show, “At Long Last Love.”

Steve Ross
(October 25–28). The London Times referred to Ross as the “Supper-Club Sultan of Manhattan.” He’ll also be debuting a new show, “Travels with My Piano,” which includes exotic music from France, Brazil and Australia.

Mary Cleere Haran (November 8–11). Haran’s regular performance haunts include Feinstein’s, the Algonquin and Brooklyn’s Night and Day; her show, “Lyrics and Lyricists,” pulls from the works of Gershwin, Cole Porter, Irving Berlin, Lorenz Hart and Johnny Mercer.

Maude Maggart (November 15–18). If we didn’t tell you, you’d probably not have a clue that Maggart is Fiona Apple’s older sis. She made the cover of Time Out New York’s cabaret issue, regularly appears on NPR and just finished a sold-out run at the Algonquin Hotel—oh, and she’s also referred to as “the hottest young thing in cabaret.” 

Admission is $75; a preshow prix-fixe dinner is served at 6:15 p.m., with the show following at 8:15 p.m. Admission does not included drinks, tax or gratuity. The Saturday performances, which take place at 9:45 p.m., are $35; valet parking is free. Reserve a spot by calling 314-531-0220 or visiting www.licketytix.com.